Gone Girl and Dark Places by Gillian Flynn

I don’t know what drew me to Gone Girl when I saw it on NetGalley. I suppose that I’ve heard about Gillian Flynn, but I didn’t really put two and two together until after I started reading this book and recommending it to people. What I did know was that after reading 30 pages of Gone Girl, I wanted to read everything that Gillian Flynn wrote.

You see, I don’t often read authors again and again, unless I’m reading a series. I rarely purchase a book just because I have read the author in the past. There are some exceptions to that rule, but they are few and far between. I don’t know that I’ve ever read a book by an author and gone out the next day and purchased her other books, but that’s exactly what I did with Gone Girl. I finished Gone Girl on a Tuesday and by the next Sunday I had read Dark Places. I still haven’t decided if I am going to read Sharp Objects right away or save it to savor when I need a really good read.

Gone Girl is starts off as a story you have heard before: wife goes missing, husband claims he is innocent, but as the case continues there are more and more clues that point to his guilt. The novel is told in alternating chapters from the husband’s narration of the days following his wife’s disappearance and journal entries of his wife that begin when they first met. It’s almost impossible to talk about Gone Girl without giving anything away, but if you’ve read a Gillian Flynn novel you know to expect, at the very least, that absolutely nothing is as it seems.

Dark Places is about the sole survivor of a vicious attack on a Missouri family, Libby. When she was seven-years-old, her entire family was killed by her older brother, Ben and she has survived until she was 30 living off the generosity of people who felt sorry for her. She testified that she heard her brother kill her family, though she never actually saw it happen. She escaped out a back window and hid in the bushes. After her money runs out, Libby receives an offer from the Kill Club, a group of people who study the murders and don’t believe Ben is guilty, to come to one of their conventions as a special guest. Jumping on the chance to make a little money, Libby agrees.

Gillian Flynn is, flat out, a brilliant writer. I was so totally engrossed in the North Carthage, Missouri of Gone Girl and the Kinnakee, MO of Dark Places. Nick and Amy felt completely real to me. My biggest complaint with Dark Places is that it is a mostly plot-driven novel, without much focus on the development of the characters outside the main narrator, Libby. The characters were fascinating, but you didn’t really get to know them, to be involved in their story. It is more about finding out what happened, not watching the characters change. There is a clear mystery to be solved, with clues all along the way. Gone Girl is not as neat as all that. It is more about personality, about individual responsibility.

I will be reading Sharp Objects, it’s really just a question of when. I don’t know how long I’ll be able to stay away from the worlds that Gillian Flynn creates.

Gone Girl will be released on June 5, 2012. I received a review copy of Gone Girl from NetGalley. I am a Powell’s affiliate. If you click a link to the Powell’s store and purchase something, I will receive a small commission. Thank you!

Rules of Civility by Amor Towles

Rules of Civility

I have this problem with historical fiction. No matter what, I can’t help but think, “Is this authentic? Would this have really happened? Was this word common?” I question and question every single bit until I’m completely taken out of the story. It’s why my Orange Prize Project ended up with more DNFs than not. A majority of the books were historical fiction and I just rarely enjoy historical fiction. So when I do find one I enjoy, it’s always a bit of a surprise.

So, you’ve probably guessed that I really did enjoy Rules of Civility, by Amor Towles. This story of a young woman in New York during the thirties painted such a complete picture of life during this time, I rarely found myself questioning it. There were certain moments throughout the book that I didn’t quite believe, but overall this is the kind of historical fiction I can get behind.

Towles completely embodies his narrator Katey and she is the books biggest strength. This is the kind of book that seems to be made up of quotes, especially about New York City and that certain city magic that exists. I recommend this book for the beauty of it alone, but the pacing and plotting leave something to desire. The first half of the book is much more interesting and engaging than the second half. I devoured the first 200 pages in two days, unable to put the book down to do other things, but I found I liked Katey less and believed her story less toward the end.

Like I said, in a lot of ways, this is a book of quotes. It is a novel of beautiful sentences that come together to form a story and even if I didn’t love the story for every page, I loved every word. This was probably my favorite part, or at least the one that has truly stuck with me:

Presumably, one factor is that each city has its own romantic season. Once a year, a city’s architectural, cultural, and horticultural variables come into alignment with the solar course in such a way that men and women passing each other on the thoroughfares feel an unusual sense sense of romantic promise. Like Christmastime in Vienna, or April in Paris.

That’s the way we New Yorkers feel about fall. Come September, despite the waning hours, despite the leaves succumbing to the weight of gray autumnal rains, there is a certain relief to having the long days of summer behind us; and there’s a paradoxical sense of rejuvenation in the air. [...] Somehow, despite the coming winter, autumn in New York promises an effervescent romance which makes one look to the Manhattan skyline with fresh eyes and feel: It’s good to live it again

Unfortunately, I don’t have a page number anymore, but that pretty much sums up the insightful and lovely writing found throughout this novel. I think Towles is the kind of writer that even when he writes an imperfect book it’s still an excellent book. I can’t wait to see what he comes up with next.

I am a Powell’s affiliate. If you click a link to Powell’s from my site and purchase something, I will receive a very small commission.

Bitterblue by Kristin Cashore GIVEAWAY!

I have had Bitterblue on preorder for about as long as was possible, but when I was offered the chance to read and review this one a few weeks early, I jumped at the chance. Receiving this book in the mail was like Christmas as a kid. I jumped up and down and squealed and shook it and then ripped it open with glee, trying to find a person in the office who would understand how exciting it was to have a Bitterblue galley. (Alas, I couldn’t find anyone. So I made my friend read the entire series. She’s onto Bitterblue now.)

I started reading it immediately, desperate to be back in Katsa and Bitterblue’s world. I liked Fire, but I adored Katsa and Po and Bitterblue. I missed their world. Fortunately, Bitterblue was everything I wanted it to be. If you haven’t read Graceling or Fire, I recommend you stop reading now, because I won’t be able to avoid some spoilers.

Bitterblue takes place nine years after Katsa and Po rescue Princess Bitterblue from her evil Graced father, King Leck. Bitterblue is the queen, still trying to untangle her kingdom and her court from the snare of Leck’s lies. She is frustrated by her limits as a queen. Much of what Leck did while he was king is still a mystery to her and she believes that people are still lying to her about her father. She doesn’t trust her court, especially after she begins sneaking out at night, disguised, to listen to the stories her citizens tell at night. While listening to the story, she befriends two thieves who teach her more about Monsea than any of her advisers.

When I wrote my review for Graceling, I listed all the many reasons I had to love it. Since I loved Bitterblue almost as much, I think I’ll do the same thing here.

1) Bitterblue! – Bitterblue is a different heroine from Katsa. She’s not Graced, though she is in a position of power. Like Katsa, she’s not always sure of herself, or her abilities as a ruler. She breaks the rules, gets frustrated, but she tries to do the right thing. She is a regular girl thrown into an extraordinary situation.

2) It’s not an adventure novel, it’s a novel about politics, recovery, and healing. There is a lot of adventure in Bitterblue, but unlike Graceling, I would not call Bitterblue an adventure novel. This story is very much about power, the abuse of power, and the healing that has to take place after such an abuse has taken place. Leck is an unimaginable monster and when it is revealed what he did, it’s horrific. Most of Bitterblue’s staff, Bitterblue herself, and the entire country are still dealing with what they experienced under Leck.

3) Raffin and Bann! I loved the relationship that was hinted at between Raffin and Bann in Graceling. In Bitterblue all our suspicions are confirmed and the relationship between the two men is out in the open. This made me so happy!

4) Giddon! I just reread Graceling and I had forgotten how much of an ass Giddon really was. There’s really not another word for it. In Bitterblue, he’s put nine years between his infatuation with Katsa and his hatred for Po, and he’s grown up for it. I loved seeing that transition.

5) The realism. There is a way that you want this novel to end, but it just can’t end that way. It wouldn’t make sense for the characters and it wouldn’t make sense for the story. You feel everything that Bitterblue feels. The story can sometimes get tedious while Bitterblue works out the reality of Leck’s horrors, but it should be. You feel Bitterblue’s frustration and her helplessness. It’s never easy and I would have been disappointed if it were.

6) It’s stunning. I only found this out once my preordered copy came in the mail, but I have one piece of advice: spring for the hardcover. I’m sure the paperback will be lovely, but the hardcover has such a beautiful cover jacket and there are beautiful drawings throughout the novel. A big part of the novel are ciphers and these are drawn throughout the story.

7) This post from Kristin Cashore. I know I can’t seriously complain that Cashore is not coming here, because everyone comes here, but I am still sad that I won’t get to go to one of her readings. I would have loved to meet her. Hopefully she’ll do a reading here soon!

I really hope this isn’t the last we see of the Graceling world or the last we see of Katsa and Po and Bitterblue. How about a novel about Raffin and Bann, eh Kristin Cashore? Please?

GIVEAWAY: Penguin has generously offered the coolest of giveaways. They partnered with an artist on Etsy to bring you this very cool tote bag. I think it’s pretty great that Penguin has partnered with Fencing and Archery to bring you something so unique. I am already very jealous of the person who wins! One winner will receive this tote bag and a copy of Bitterblue. In fact, all you need to do to enter the giveaway is leave a comment. I’ll randomly choose a winner next Tuesday. Please be sure to leave a valid email address, either in the comment form or in the body of your email, so I can get in touch with you if you win.

(Giveaway is open to US addresses only.)

Relevant links: Greaceling Realm Website | Kristin Cashore’s Blog | Graceling Realm on Facebook | Scribd excerpt of Bitterblue

Trip of the Tongue by Elizabeth Little

There was never a wait longer than the time between clicking the “Request” button on Netgalley and receiving the approval email, saying I could read Trip of the Tongue: Cross-Country Travels in Search of America’s Languages by Elizabeth Little. I obsessively refreshed my inbox and when that email finally did come, I abandoned every other book I was reading and tucked in to read this one in only a few subway rides. You see, I love reading about languages, but even more than that, I love reading about languages in the US. This book and I were meant for each other.

Elizabeth Little has always been fascinated by languages, but not necessarily the ones that she could find in the US. She’d picked up grammars of well-known and obscure languages all throughout her life, but it wasn’t until she moved to the Sunnyside neighborhood in Queens and saw the way languages interacted, mixed, and mingled in the US that she became interested in studying what happens to languages once they set up shop in the States. So, she went on a cross-country trip to study the various language communities across the US, starting with the Native American languages.

Little is a professed linguistics nerd, something we have in common, so I was content to geek out with her about language oddities found because of language contact. I, too, am fascinated by the development of creole languages. I am fascinated by language death and what we can do to stop it, or at the very least, preserve the languages that exist today for future generations who might not have the opportunity to meet a native speaker. However, where Little truly shined was when she discussed the socio-political realities of language contact. As she states in her conclusion, that was not originally the focus of her book, but she found it to be inevitable.

The tone of Trip of the Tongue falls somewhere between memoir and narrative nonfiction. You get to know Little and her tone is casual throughout, but the book is also clearly well-researched. Each chapter is divided by language and it is difficult to think of a chapter that I liked more, because they are all fascinating. The chapters follow relatively the same structure: Little travels to the community, finds someone to show her around and educate her, she discusses the history of the community and the language, and shows how it is faring today as a language in contact with English.

I think Trip of the Tongue is an excellent introduction to popular sociolinguistics, though Little never calls it by that name. And because I can’t end this review without sharing some of the most fascinating tidbits of language contact, here are a few of my favorites:

“But there are also Native words that have become wonderfully, quintessentially American. One of my favorites is an Algonquin word meaning “marshy meadow.” It eventually gained traction as a dismissive term for an unsophisticated village in the middle of nowhere. You probably know it as podunk.”

On New Mexican Spanish – “From the word honey comes the Spanish jane. This then became the verb janear, ‘to look for girls.’ Similarly, ‘how much’ snuck into Spanish as jamache. This eventually evolved into the verb jamachar, “to talk business” – or, as Cobos puts it, ‘to talk turkey.’”

Another favorite anecdote from this story is the way Gullah, a creole language found in South Carolina, has been used to trace the origins of many of the Gullah community in Africa. Gullah has long been connected to several languages in Africa; however, it is significantly similar to Krio, a creole, also influenced by English, that is spoken in Sierra Leone. Linguist Tazieff Koroma, anthropologist Joseph Opala, and ethnomusicologist Cynthia Schmidt recorded a Gullah woman, Amelia Dawley, singing a song. While they were visiting Sierra Leone, amazingly, they found a woman singing almost exactly the same song. Since then, Amelia Dawley’s grandchildren have visited their ancestors. You can listen to the original recording of Amelia Dawley singing at the Harris Neck Land Trust  website.

Trip of the Tongue is one of those books that seems like it was written for me. Elizabeth Little is not a linguist, though she has studied languages for most of her life, but she makes this clear from the beginning. This is not a book about linguistics, but about the ways languages face attrition in the presence of a majority language, like English. It is a book about the way the history of our languages is the history of our country and Little approaches the subject with intelligence, humor, and reverence.

ETA: Debi asked in the comments if I thought this book is appropriate for someone who doesn’t have a background in linguistics. ABSOLUTELY! Little doesn’t spend too much time on actual linguistic phenomenon, but when she does, she explains it very clearly with little to no jargon.

Related Links

Elizabeth Little’s website; Indian Country article about Diné University and the preservation of Navajo; Elizabeth Little on NPR (including clips of spoken Navajo and a clip of Zora Neale Hurston singing a Gullah song!)

Read More/Blog More Poetry February: Native Guard by Natasha Trethewey

If you think you don’t like poetry, I urge you to pick up Native Guard by Natasha Trethewey. If you think poetry is difficult to understand, if you think it is boring, if you think it is outdated, if you think it is just not for you, please, go to the store and buy Native Guard. Read it on your ereader, get it at the library. I’ll even lend you my copy.

This is easily one of the most accessible, moving books of poetry I’ve read. It’s easy to see why it won the Pulitzer and why so many people count it among their favorites. Trethewey does well what so many people only try to do. Her poetry is imbued with a sense of history, both the personal and the national, that informs every line and subject.

The title, Native Guard, refers to the militias of black troops who exchanged service in the Confederate army for their freedom. Their stories have been largely untold in history books and in discussions of the Civil War, at monuments, in text books. The native guards become the symbol for untold histories: stories that are deliberately forgotten and kept hidden.

Native Guard is divided into three sections. The first section of poems are about the speaker’s mother, the second about the history of Mississippi, and the third, and strongest, is the convergence of the private, personal history with the public. It is where the history of the place informs the history of the self and it is perfect. I don’t think I get to say that very often, not with fiction, not with non-fiction, not with poetry. I’m fairly certain that this collection, but most of all the third section, is perfect. I get chills just thinking about the epigraphs.

I read this collection twice in one day. I finished it and went straight back to the beginning to start it again, but there was one poem that I read again and again:

“My Mother Dreams Another Country”

Already the words are changing. She is changing
from colored to negro, black still years ahead.
This is 1966 – she is married to a white man -
and there are names for what grows inside her.
It is enough to worry about words like mongrel
and the infertility of mules and mulattoes 
while flipping through a book of baby names.
She has come home to wait out the long months,
her room unchanged since she’s been gone:
dolls winking down from every shelf — all of them
white. Every day she is flanked by the rituals of superstition,
and there is a name she will learn for this too:
maternal impression – the shape, like an unknown
country, marking the back of the newborn’s thigh.
For now, women tell her to clear her head, to steady her hands
or she’ll gray a lock of the child’s hair wherever
she worries her own, imprint somewhere on the outline
of a thing she craves too much. They tell her
to stanch her cravings by eating dirt. All spring
she has sat on her hands, her fingers numb. For a while
each day, she can’t feel anything she touches: the arbor
out back — the landscape’s green tangle; the molehill
of her own swelling. Here — outside the city limits –
cars speed by, clouds of red dust in their wake.
She breathes it in — Mississippi — then drifts towards sleep,
thinking of someplace she’s never been. Late,
Mississippi is a dark backdrop bearing down
on the windows of her room. On the TV in the corner,
the station signs off, broadcasting its nightly salutation:
the waving Stars and Stripes, our national anthem.
_______________________________________________________

This review is part of the Read More/Blog More Poetry Event hosted by myself and Kelly of The Written World. If you participated today, you can find the Mr. Linky sign up on Kelly’s blog here. If you’re interested in participating this month or in the future, you can find out more about the project here.

On Borrowed Wings by Chandra Prasad

The TBR Double Dare and the TBR Challenge are making me dig deep into my bookshelves to find something to read. I didn’t even know I owned this book until I pulled it out of the pile a couple weeks ago. I don’t know where I bought it, or why. I had never even heard of it before I started reading it on Tuesday. How does this happen? I guess at some point I must have picked it up and read the synopsis and thought it sounded interesting, which, fortunately, it was.

Adele Pietra has grown up in Stoney Creek her entire life, surrounded by the reality of the granite quarry, the place where her father has always worked and her brother has spent his summers since he was old enough. She assumes that her destiny is as set in stone as her father’s: to marry a quarryman and watch him die slowly from the dangers of working with granite. Her mother was once a wealthy socialite who fell in love with Adele’s father during a summer vacation to Stoney Creek. She has never truly been satisfied with the life her husband has given her and wants desperately that Adele’s brother, Charles, attend Yale, but when a horrible accident kills both Adele’s father and brother, her destiny is irrevocably changed when she decides to enroll as a Freshman at Yale in her brother’s place.

I really enjoyed On Borrowed Wings. It’s nicely written, the story is interesting, and it takes place in a time period (1930s US) that I’m fascinated with. The tension between Adele and her mother is palpable throughout the entire novel and you never really come to sympathize with Adele’s mother. She made a choice about her life and was never satisfied with it, but instead blamed everyone else around her. Adele finds that she actually fits in well at Yale, even though she is constantly terrified that she will be discovered.

It was clear that Prasad had done a lot of research to make On Borrowed Wings feel authentic. I rarely questioned that this could have happened in the way she described it, even though I found Adele to be a little bit unbelievable at times. The first half of this book was so strong for me, so I was a little disappointed when On Borrowed Wings seemed to lose a little focus. It just fizzled out at the end, with somewhat of a dramatic climax, but not necessarily the one I was hoping for. Prasad is a lovely writer and her characterization was excellent with her main characters, though I would have liked to see more done with Adele’s friends at Yale. I think Prasad got a little bogged down with Issues, instead of just telling what was already an interesting story.

I enjoyed this novel, despite its imperfections. It is a little disappointing, because I think it could have been a great novel, but instead it was just good. Still, it was an enjoyable way to spend a couple afternoons.

How to Keep Your Volkswagen Alive by Chris Boucher

I’ve gone and joined a book club. It’s a very diplomatic book club, in the sense that every week, six of us nominate books (first come first serve) and then those books are put to a vote. We read the book with the most votes. Every few months, the book club leader has us nominate books that were nominated before, but didn’t win. That is how I came to nominate How To Keep Your Volkswagen Alive by Chris Boucher.

You see, I had it in my head that it was a graphic novel.

It isn’t.

It’s a strange novel, probably one of the strangest I’ve ever read. Essentially, the book is about the nameless main character (literally — he sold his name for some hours), and his Volkswagen son. His father is killed by a heart attack tree while he is waiting for the narrator to meet him for dinner. Then the tree runs away with the diner and his father. The narrator and his Volkswagen son never know if his father is alive or dead. The novel goes back and forth between stories like this and also holds onto a manual structure, teaching you how to keep your other-worldly Volkswagen running.

Words take on entirely new meanings in How to Keep Your Volkswagen Alive. I spent most of the book thinking about Lewis Carol’s poem “Jabberwocky.” We studied that poem in linguistics because it shows something very interesting about language. Even though the words are completely made up, you can mostly point to them and say which ones are verbs, nouns and adjectives. You can also get some kind of meaning out of it. When you read that poem, you picture something happening. You “understand” it to a degree.

In that same way How to Keep Your Volkswagen Alive isn’t about Volkswagens or trees or anything particularly shocking. It’s about family. It’s about love. Most of all, it’s about grief.

I don’t want to mislead you – How to Keep Your Volkswagen Alive is an incredibly frustrating book and there are parts, especially the more manual-like parts, that I skimmed. It’s like a work out for your brain, though, and one that I actually enjoyed, even when I was frustrated. You see, in Boucher’s alternative world, objects are people and people are objects. The narrator’s son is a Volkswagen. He dates a stained glass window. He gets into a fight with a leaf and a toaster. When you are reading, it’s difficult to imagine and your brain kind of goes back and forth between picturing the actual objects and the people they represent.

Many of the people in my book club were frustrated by this book. Many people dropped out of the meeting because they couldn’t finish it. I had some problems with it. Even though I thought it was well done, I think Boucher got bogged down in the conceit of the manual by trying to mimic the style of the original How to Keep Your Volkswagen Alive. Those parts were mostly unnecessary and I think they would have been far more interesting if they had been fewer and farther between. I was probably the only person at book club who admitted to actually enjoying reading the book.

I liked the challenge. I liked that Boucher, despite speaking nonsense for most of the book, was able to so accurately represent grief. But as someone else pointed out, there just wasn’t much story here. People are born, people die, people grieve. I think that was actually a conscious decision on Boucher’s part. Anymore and the confusing language would have been too much, too strange. If your language and the way you tell your story is going to be complicated, the actual plot has to be pretty simple.

It’s not perfect, but this strange novel was exciting to read. I can’t wait to see what kind of novel Boucher writes next. Perhaps he’ll surprise us all and write something very mundane and normal, but I hope not.

Better Off: Flipping the Switch on Technology by Eric Brende

This book came at a perfect time for me. You see, I’ve been a little obsessed lately with the idea of living on a self-sustainable farm. I like city life, but I miss wide open spaces. I want to be able to garden and raise animals and be as reliant on myself and the food I can grow. This is something that I’d like to do sometime in the future, but right now, I’m content to read about other people making the plunge, like Eric Brende and his wife.

Eric Brende is a highly educated man (he has degrees from three universities, including MIT) who, one day, realized that he was relying too much on technology and it was actually hindering his life instead of helping it. To complete his graduate work, he decided to join a Mennonite-like community in an undisclosed location for 18 months to see what it was like and if people who lived without technology really are better off. He married his girlfriend and rented a small cottage in a closed-off, modern technology-free town.

Let’s get this out of the way: Eric Brende is opinionated and he can come across as bit of an ass. Though he brings it up once or twice, he rarely addresses how the community felt about him being an outsider studying their actions. He invaded their life to learn about self-sustainability, but also to finish his graduate work. He began the project with the intention of writing a book and it seemed a little disingenuous. I wonder how many of the people he lived with really knew what he was doing? Do they know he’s written a book about them and their lives? Does it matter? He’s self-righteous and not shy about blaming all our modern troubles on television, the internet and cars in that order.

Here’s the thing: I don’t think those opinions are necessarily radical or offensive. They’re not, but he presents them in such a way that they are indisputable. TV is always damaging. Nothing good can come of the internet. Your car will kill you, or at the very least, make you die faster. He never acknowledges the good that can come out of having a television, the internet, and cars. Good television shows are as engrossing, stimulating, and interesting as a well-written novel. The internet is a wealthy source of community and education. While I understand that stress from driving can make your blood pressure rise (trust me, I’ve commuted in two of the worst cities for commuting… I get it), it’s also good to have a car around sometimes.

Ignoring his opinions about everything from religion to technology to relationships to gender roles, I thoroughly enjoyed Better Off. I was intrigued by the “Minimite” culture and I was interested in learning about their relationship with technology and outsiders. Their community is strict about a lot of things, but it was kind of hard to figure out some of their reasoning. They disapproved of bicycles, but I never really understood why. My favorite parts of this book were actually the parts when Brende described how he and his wife survived without technology. The physiological changes were fascinating, including adjustments to extreme temperatures in the summer and the natural circadian rhythm that occurs when you don’t rely on electrical lights. I loved his descriptions of simple household tasks, like canning and farming and barn raising. The community that develops when you rely on each other was also fascinating to witness, though I’m not entirely sure how closely Brende really got to the members of the community or how accurate his descriptions really were.

Better Off is lucky. I’m fascinated by this topic right now, so I’m being rather lenient; I’m not sure I would have liked this book much at all if I hadn’t been so intrigued by its subject matter. Apart from Brende’s absolute stance on technology, the storytelling and writing is clunky and confusing throughout most of this book. When Brende is on, he’s on, but his narrative felt strung together and disconnected. It was chronological, but other than that not very coherently organized. It was difficult to keep the people straight and I was sometimes confused by the narrative. I often felt like I had missed something, but I would go back and reread and find I had read everything there. One thing that bothered me the most was the way he discussed his wife. I’m sure they have a very loving relationship, but it would feel like he would forget he had a wife for dozens of pages and then his editor would remind him to talk about her a little bit. She was definitely secondary in this story and I would have liked to see a little bit more of her perspective throughout.

I wonder how much of what they learned during those 18 months applies to their lives now. They talk about their current lives a little bit, but not much. They don’t have a television. They do have a car, they just don’t drive it very often. They do have electricity. They make their own soap. Brende drives a rickshaw. Over all, I think Better Off succeeds in taking the whole quest/goal memoir to a new level. It’s very difficult to join Mennonite/Amish/Anabaptist communities with any kind of success and Brende did it, more or less respectfully. Whether or not I agreed with him on all of his opinions, he certainly practiced what he preached for those 18 months and it made for an interesting, if not a terribly well-written, memoir.

Conversations and Cosmopolitans by Robert Rave and Jane Rave

I like memoirs, we know this. I also think that everyone has the right to a memoir, as long as you can tell a good story and you know which stories to pull. I was so excited to read Robert and Jane Rave’s mother-son memoir about Robert coming out to his mother in a letter. That letter is the first chapter and what follows is a series of vignettes by Robert, all followed by a short reaction written by Jane titled “Mama Says.” The love and interaction between Robert and Jane is evident and I loved that his parents were totally okay with him being gay. The point of this memoir is that it is not really a coming out story; it’s the story of how a mother and son grew to be better friends because Robert, and therefore Jane, accepted who he really was. In that sense, Robert and Jane are really adorable. They clearly love each other and their family is so strong, so I loved reading about that part of their life. I loved seeing Jane stand up for her son in the face of discrimination in their small town. I loved that Robert truly cared what his mother thought of him.

Unfortunately, I really didn’t love everything in this memoir. The biggest issue I had with it is that it seems dated. Much of the “action” of the memoir takes place in the late 90s, but he was clearly writing it now. With words like “tranny” and “cyber geek,” it was just a little difficult to take seriously. This is 2011, we don’t say things like that anymore, even if you did in 1998. The majority of the memoir talks about things like waxing, going on horrible dates with horrible men, good friends and bad friends, some of whom are nameless celebrities. If it reads like some kind of chick lit novel or memoir, you’re right. Unfortunately, I don’t like those stories when they’re penned by women, so it stands that I wouldn’t really like them when they’re penned by a man.

I guess this is another case of the book not meeting my own expectations. I think the book could have been organized a little better and been less cheesy, but at the same time, I’m sure there are plenty of people who would enjoy this book. And I know there were parts I really liked. I liked Jane. She’s not a writer, as Robert mentions towards the end of the novel, but I really liked many of the things she had to say. There were times when I cringed at things both Robert and Jane said, but I think for the most part they presented their relationship well. It’s a loving, beautiful relationship and I am glad they decided to share it with the world, even if I didn’t love reading about it the entire time.

Thanks to TLC Book Tours for sending me this book to review. You can read more about this tour, including past and future tour dates, here.

To Join the Lost by Seth Steinzor

When Trish at TLC Book Tours contacted me about a modern Inferno, I practically squealed with excitement. I mean, it just sounds so cool. Right? So when I got To Join the Lost  in the mail, I was beyond excited to read it, so I opened it up immediately. Then I proceeded to read exactly one page and put it down. I kept staring at the date looming on the calendar; I knew I was going to have to pick up To Join the Lost, but the excitement was gone. Turns out, I don’t think To Join the Lost is particularly cool or innovative. I do think it took a lot of hard work and I do admire it, but I didn’t enjoy it.

When I read Dante’s Inferno, it had a huge impact on me. Apart from the horrendous memorization quizzes we were assigned, where we had to read two or three cantos and then just fill in the missing words, Inferno made a lasting impression on me with its scenes of absolute terror. Maybe it was the translation, but the text didn’t seem dated, it seemed fresh and interesting. The idea of a modern day Inferno with modern day characters seems like such a good idea, and I still think there’s hope for it, but surprisingly, the problem with To Join the Lost is that it doesn’t stray enough from the source material.

Let’s start off with what’s good about To Join the Lost. There is some good writing in here. I marked several passages that I really enjoyed. They’re funny and the references that I actually got were great. I don’t fault Steinzor for making references that I won’t understand; that in and of itself is part of Dante’s Inferno, but it didn’t necessarily make for great reading. I wish Steinzor had included the annotations he decided to leave out, as he explains in the Afterword. Like most translations of Inferno, Steinzor’s verse is blank verse, but I wish it would have been a little more even. There are times when he uses very “poetic” language and times when he uses very plain language. It didn’t always work, especially when characters were speaking directly. Their tone and style seemed to change from one speech to the next; I would have preferred consistency.

In the end, though, my biggest gripe with To Join the Lost is that it’s not modern enough. Can you really fault a book for not being revolutionary enough? Is it To Join the Lost‘s fault that it’s not exciting enough? Steinzor mentions in his Afterword that he really wanted to modernize Inferno, that he wanted it to be more than just swapping out Dante’s politicians for modern ones, but that’s what I felt like when I was reading it. Maybe it’s just been so long since I read Inferno that my memories of it are very condensed. Yes, Steinzor came up with new hellish nightmares, but they were still in the same vein. I don’t know what I wanted, but it was something more. That isn’t to belittle what Steinzor does with To Join the Lost; it’s great and I’m sure it took a lot of effort, talent and obsession.

So what kind of Inferno would I want? I don’t know. An Inferno that really looks at our modern culture and sees what’s wrong with it. Maybe the metaphor just doesn’t make as much sense anymore. To Join the Lost is an adequate modernization of Inferno, but it just wasn’t the modernization of Inferno that I wanted, and that’s not really Steinzor’s fault at all.

Thank you to TLC Book Tours for sending me a copy of this book to review. You can read more about this tour and previous and future tour dates here

My God, What Have We Done by Susan V. Weiss

There are certain things that you learn about a blogger the longer you read their reviews. I hope you know, for instance, that I don’t mind not finishing a book. I don’t mind discarding a book if it’s not keeping my attention, but it’s a lot harder to justify doing that for a blog tour. So I tried. I really tried very hard to finish My God, What Have We Done, but I just got to the point where I realized that I was spending so much of time convincing myself to read the book, convincing myself to just pick it up and read. It just wasn’t worth it after a while. I read almost 200 pages and I just don’t think my reaction would be any different after nearly 500. Frankly, as soon as I made the decision not to finish the book, I felt relieved.

I think where My God, What Have We Done failed was twofold. First, the connection with Oppenheimer and the Manhattan project would have been as poignant without the unnecessary sections that tried to detail Oppenheimer’s life. Unfortunately those sections were dry and, beyond not holding my attention, were also unbelievable. I’m sure Weiss did a significant amount of research, but I just couldn’t find it in myself to believe the way she told the story. I could turn to any of these pages and point to woody dialogue, awkward phrasing, characters that simply didn’t feel real.

I’ve been reading the reviews of this one on the tour to see if other bloggers felt similarly. I was especially interested in Steph’s review, in which she expressed extreme dislike for Pauline. And while I have to agree that I didn’t necessarily like Pauline, I actually enjoyed reading about her. Especially after the birth of Jasper, I thought Weiss hit her stride describing the life and attitude of Pauline as a mother. If this had been the tone of the entire novel, I certainly would have kept reading, even though the sections with Pauline as a narrator were not without fault. The nonlinear timing of the story could have been a useful storytelling tactic, but instead felt gimmicky and confusing. Pauline is a frustrating narrator, but at least she is consistent and most of all, I believed in her and her voice. Like Steph, I found myself skipping over the sections that described Oppenheimer and his life almost completely. I would skim here and there for important information, but I wouldn’t spend too much time on them.

I hate to not finish a book for a tour, but I don’t think reading the last 300 pages of this one would have given me any different a perspective than the first 200. Pauline’s obsession with Oppenheimer was interesting, but I think, in the end, her point is obvious and a little heavy handed. But Pauline is the kind of person who would love a heavy handed metaphor, so maybe it works.

Thank you TLC Book Tours for sending me this book to review. You can find out more about the tour, including past and future tour stops, here

Ivan & Misha by Michael Alenyikov

I am almost getting to the point now where the information that a book is a “novel in stories”  makes me cringe. There are times when it is done wonderfully and beautifully, like Olive Kitteridge and there are times when it fails, at least in my mind, like Great House by Nicole Krauss. But when Lisa of TLC Book Tours approached me about reviewing this book, something didn’t make me cringe. Something made me accept it. It could have been Lisa describing my reading tastes as “eccentric” (a high compliment if you ask me) and telling me that this book would fit right in. She was right. I really enjoyed Ivan & Misha, I thought that the connected short stories tactic was done brilliantly.

The short stories themselves are told in different styles, with different narrators. They are not sequential and the story is filled in in bits and pieces. Ivan & Misha are fraternal twins, opposites in every way. Misha is gay and Ivan is beyond defining in one word. The best way to describe Ivan is in love. With himself, with his brother, with his lovers regardless of gender, and most of all, with the world. They immigrated to the United States when they were young boys after the death of their mother.

Their story is complex, but Alenyikov tells it will a brilliant fluidity, moving from past to present and everywhere in between without tripping up himself or the reader. The prose is lyrical and beautiful; there are entire pages that I wouldn’t mind quoting. Each character is so complete and it amazes me how short this novel is. There was so much contained within its pages, in my memory it must be longer.

There is one scene that will disturb some people. In a way, putting it at the beginning of the novel is Alenyikov’s biggest risk and perhaps it is the defining moment of the novel. The one that the entire novel is working to explain how a relationship between two siblings could become so confusing, so complex. But whether you agree with his decision or not, the relationship between Ivan and Misha is one that deserves an entire novel to explore the complexity of being between two cultures, between defining moments in your life, between life and death.

Thank you to TLC Book Tours for sending me this book to review. I apologize for having the review up a day late – I have been feeling a bit under the weather and ended up falling asleep last night before I could post it.