The White by Deborah Larsen

This is one of those times when I picked up a book and judged it solely based on its cover.  While browsing through the library stacks, this cover and title stuck out at me.  The stark title covering that unreadable face of that little girl… it just caught me.  So I grabbed it and that cover kept staring at me from my pile of library books.

The story behind this cover is just as haunting.  I knew going in that this was the story of Mary Jemison, a young girl who was captured by Shawnee Indians and was eventually adopted by Seneca women to replace their brother who was killed in the French-Indian War.  I often find fault with historical fiction, either for what it did or did not include.  I was worried that such a slim volume would do the same injustice to Mary’s story that I felt Malinche by Laura Esquivel did to La Malinche: in an effort to be spare and literary, the essence of the story is lost.  I found that I believed Larsen’s narrative more than I did Esquivel’s, perhaps because The White only employed the first person sometimes, not the entire time.

Though there are details about the Seneca and Shawnee ways of life in this novel, and as far as I can tell they are fairly accurate, the strength of this story is the prose.  This is a novel meant to be enjoyed for its language, which makes sense since language was originally the only way that Mary really had to connect herself to her previous life.  There are a lot of touchy subjects addressed here, like scalping and all the retribution that went on between Indians and white settlers, but there are no villains here.  No side is evil, no murder is worse than another.  Yes, what happened to Mary’s family was awful.  But what happened to the young man Mary replaced?  That was also horrifying.

Mary is conflicted, as she should be.  There is nothing glossed over, Mary hates her father for not protecting her and she hates her captors for not being her family, but she also grows to forgive her father and love her new family, because they love her.  Larsen expertly weaves historical fact with the imagined, drawing much of Mary’s narrative from her actual account of what happened to her, as told to Dr. Seaver in the last years of her life.

The White is not perfect and at times I was confused as to how much time had passed or where we were geographically, but these are small complaints.  The prose is nothing short of gorgeous.   Not only that, but beyond making me interested in Mary Jemison’s story, I’m also more interested in Native American/Indian culture now than I ever was before.  I want to read some non-fiction, both about Mary’s story and about the French-Indian War and, in general, the treatment of American Indians.  Any suggestions?

This is another book that you could probably find a quote on every single page, but here are is my favorite:

I had never known moss as I learned to know it among the Seneca. From my new family I learned to diaper my babies with it.  Moss was soft and did not irritate the skin.  It held much of the wettings and dried out quickly.  I had known the word for moss first in English and then in Seneca and I had seen moss and had touched it, but only now, dressing my baby with it, did I know it.  And the word “moss” was but richer in my sight.

It came to me that I could listen, could memorize, could speak, could tell stories, could sing, and that in two languages to be sure.  That was what I would do. I would not let one word escape me; I would speak new words aloud as I learned them so as not to forget them.

I would pay attention to the human voice; I myself would speak carefully and expressively; I would never mumble.  And I could give my children this gift: the words, the names, the arrangements of words, the pitches – rising notes,  falling notes.  I would teach them about the world using my ears,  my throat and my tongue.

I would speak the things of the earth out loud, so loud that the moon itself would feel called upon and would incline to my signals.” (129)

This is the only novel that Deborah Larsen has written and I want to read more.  The White was such a pleasant surprise, because I honestly didn’t expect much.  Historical novels, especially ones so closely based on one primary text, don’t often do the main figure justice, but Larsen certainly does.  I’m going to be jumping to read Larsen’s memoir just to find more of that gorgeous prose.

So go read this!:  now| tomorrow | next week | next month | next year | when you’ve exhausted your TBR

Call me Zits in Sherman Alexie’s Flight

Sherman Alexie is one of those authors that everyone loves and for good reason.  He’s ambitious, witty, fearless and unbelievably creative.  I’ve been interested in picking up more of his books recently, especially after reading and loving The Absolutely True Diary of a Part-Time IndianTen Little  Indians and some of Alexie’s poetry last year.  I’ve also been listening to Nancy Pearl’s podcasts on my commute and one of her older archived interviews was with Sherman Alexie right after he published Flight, which is, as far as I can tell, one of his least popular books to date.  It did not sell well and has received very mixed reviews.  Something about the way Alexie talked about his narrator Zits really made me want to read it and I suggest everyone go watch the video!  If that doesn’t make you want to read Flight, I’m not sure what will.

“Call me Zits,” the novel begins, introducing us to one of the most original narrators I’ve read in a long time.  He’s a half-white-half-indian teenager who has been wronged by life, a not uncommon tale, of an absent father and a loving mother who dies when Zits  is young, forcing him into an uncertain life going from foster care family to foster care family.  After one particular incident with a new foster care family, Zits is arrested and while in jail he meets Justice.  Justice convinces him that he can bring his mother back, but only if he kills someone in a revenge murder.  So Zits shoots up a bank and is killed by a police officer, dying immediately.

But that’s not where Zits’s story ends, that’s only where it begins.  As Alexie explains in the video, he becomes “unstuck in time” like Billy Pilgrim in Slaughterhouse Five, going from one moment in American history to the next.  At each moment, he experiences a revenge killing of sorts, making him relive the moment when he made the decision to shoot the bank.  Zits inhabits the body of all sorts of men and boys throughout history – men who betray their wives, soldiers who betray their army, even a little boy who is asked to do an unspeakable thing.  Each time he feels the guilt multiplied until he cannot understand making that decision over and over and over again.

One thing I think is clear from reading Flight is that we are all capable of revenge.  It can be a small thing, it does not have to be as big as murder, but that is a human feeling.  It does not matter what race you are or what gender you are or what age you are.  It is a powerful human emotion that can make anyone do something they will regret.  Zits’s story ends well, at least he tells us it does.  We are left at the end, unsure of what to believe or knowing what was real.  In the end, though, it does not matter if it was real or all in Zits’s head.  It does not matter if he killed in 2007 or the 1970s or the 1700s, or if he killed at all.  What is important is what he learned along the way – the danger of exacting revenge for something that no one could stop and the ability to forgive.  At least we hope he learned something.

Alexie, through Zits, provides so many insights that make Zits completely believable as a character, such as:

And then it’s the white kid and me.

He sits on the floor at one end of the cell.  I sit on the floor at t he other end.  He stares at me for a long time. He’s studying me.

“What are you looking at?”  I ask.

“Your face,” he says.

“What about my face?”

“It doesn’t have to be like that,” he says.  ”They got all sorts of medicine now.  I see it on TV.  They got miracle zit stuff.  Clear your face right up.”

I’ve seen those commercials too.  The ones where famous people like P. Diddy and Jessica Simpson and Brooke Shields talk about their zits and how they got cured by this miracle face cream made from sacred Mexican mud and the sweet spit of a prom queen.  And, yeah, I’d love to buy that stuff, but it costs fifty bucks a jar.  These days, you see a kid with bad acne, and you know he’s poor.  Rich kids don’t get acne anymore.  Not really.  They just get a few spots now and again. (21)

This novel is so unique, drawing on influences from literature and popular culture, but making it into a completely original story that encompasses many aspects of our culture in one short novel.

So go read this!: now | tomorrow | next week | next month | next year | when you’ve exhausted your TBR

Other reviews: Bibliofreak.

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Grief and humor in Looking for Bapu

“The wrinkle-nosed woman turns again.  ‘You’re brave to wear your turban, young man.  With all the anxiety!’

Young man?  Mr. Singh must be at least forty.  ‘I’ve been honored to wear this turban for many years,’  he says, holding his head high.  ‘Throughout history people have fought and died for the right to wear it.  I will not take it off  now.’

The woman purses her lips.  ‘Well, you’re very brave.’  She turns ahead  again, and the line begins to move, finally.  I glance sidelong at Dad.  He looks Indian, but he whistles ‘American Pie’ in the shower and reads the Seattle newspaper in the morning.  My dad is not what anyone calls him.  My dad is just my dad.  Is it brave to be what you are, I wonder?  Brave to just be yourself?” (pg 63)

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