I’ve been hearing good things about Essex County for a long time, so finally reading it almost felt like coming home to something I’d been missing. I can think of so many adjectives to describe Essex County: haunting, epic, real, beautiful, authentic. There are so many, and all of them good. It’s a sweeping family drama that starts at the end and slowly winds itself to the beginning and back again.
I don’t know that I really want to go into the specifics of this comic, because watching the history of this family unfold is what is so beautiful about it. You don’t really know how things are connected until the very end and I loved that about it. You can guess, but all of the intricacies and twists of the family trees play out slowly throughout the course of the stories. This is a collection of shorter comics and each one focuses on a different person in Essex County. Geography initially seems to be the only thing connecting them, but it is much more.
I was recently listening to the Bookrageous podcast about taboo topics in literature and the topic of comics was brought up. Bookrageous contributor Josh was talking about graphic novels and comics when he said something that really expressed how I feel about the medium: the ability to express emptiness. He goes on to say that a blank page can be extremely powerful in a graphic novel and I couldn’t agree more. Essex County is filled with moments like this, of not necessarily blank pages, but nearly blank pages. The beginning chapter takes place on a farm, and every scene involving the corn and its progression were perfect in expressing a character’s loneliness, along with the passage of time. Or when another character returns to the farm, all lines denoting where the image ends and begins are abandoned and the landscape of the farm takes over completely, accompanied by a long, lonely shadow. Or more still, when the pane focuses solely on the ice. How do you draw ice in black and white? Lemire does it.
Another favorite part of Essex County? When one young character loves drawing comics and we get to see the comics he draws. They are amazing. As someone who has zero talent for drawing, I wonder what it was like to go back and draw in the style of a child. I love it when a comic pushes the boundaries of what it means to be a comic. It is such an open medium – why not include photographs? Why not include multiple styles? Why not draw part of the comic as if you were 12? I also love a comic that has such a strong sense of place. See my review of Local. Essex County is so completely relates what it is like to live in rural Canada that I feel as though I have been there. Even though I have never stepped foot in a place more north than Rhode Island, I can feel the cold, I can feel the vast, openness of it.
I always find these comics after they have been collected into an omnibus. Where are the comics now that will be collected together in a few years? Can anyone point me in that direction? I want to be on top of this. Any suggestions would be greatly appreciated. In the mean time, get out there and read Essex County. You won’t be disappointed.
So go read this!: now | tomorrow | next week | next month | next year | when you’ve read everything else
An Adventure in Reading (Vol 1 & 2), So Many Books, So Little Time (Vol 1, 2 & 3), Monniblog, Buried in Print, all have posts about Essex County. Do you? Link to it in the comments and I’ll add it here.